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ShowsMunt Milks Laughs with Cow of a Character
Reviewer:
Matt Byrne
Newspaper:
Sunday Mail Sunday Mail Review 3/7/05 MUNT MILKS LAUGHS WITH COW OF A CHARACTER After seeing Silly Cow, it’s hard to know exactly who Ben Elton hates more, actors or journalists. It is a cutting, uncouth comedy with some very black moments as devilish columnist Doris is forced to face some demons of her own one imperfect day. Director Robert Andrews keeps the setting simple and has a mostly capable cast tackle this unconventional show with enormous gusto. Carpe Jugulum
Reviewer:
Stephanie Johnson
Newspaper:
Australian Stage On-line Australian Stage On-Line Review. Discworld has returned to the Bakehouse Theatre in another Pratchett play – Carpe Jugulum. If this means nothing to you then the prolific literary produce of Pratchett has somehow passed you by. It seems that the theatre going public can be divided into two categories – those who know nothing about Terry Pratchett’s 34 books, and those who are converts. Carpe Jugulum
Reviewer:
Matt Byrne
Newspaper:
Sunday Mail Carpe Jugulum Stephen Briggs' uninspiring adaptations satisfy the Pratchett-mad audience and good luck to him and them. The latest effort has vampires going head to neck with witches and coming off second best. They try with all teeth bared but they suck, they make Lesley Nielsen look like Bela Legosi. Carpe Jugulum
Reviewer:
Myk Mykyta
Newspaper:
Radio Adelaide Carpe Jugulum by Terry Pratchett adapted for the stage by Stephen Briggs. In one of his odes Horace said, “Carpe diem quam minimum credula postero.” meaning “Seize the day, trusting little in the future.” Terry Pratchett the punning funny inventor of the Discworld has adapted the key phrase to suit modern ethos in his novel Carpe Jugulum or Seize the Jugular. Review of Carpe Jugulum by Teri Louise Kelly
Reviewer:
Teri Louise Kelly
Newspaper:
Indaily Theatre review - Carpe Jugulum, Unseen Theatre Company Tony Robinson stalks me. Is there nothing that man won't voiceover? This was how Unseen Theatre Company’s latest adaptation of a Terry Pratchett novel began. Obviously, Pratchett pulls a crowd. To see the quaint Bakehouse (my favourite theatre), jam-packed right to the ceiling cabling on a cold Wednesday night is testimony to Pratchett's allure. Carpe Jugulum
Reviewer:
David Grybowski
Newspaper:
Db Magazine THE THEATRE GENE for dB MAGAZINE Carpe Jugulum Carpe Jugulum
Reviewer:
Stephanie Johnson
Newspaper:
Australian Stage On-line Discworld has returned to the Bakehouse Theatre in another Pratchett play – Carpe Jugulum. If this means nothing to you then the prolific literary produce of Pratchett has somehow passed you by. It seems that the theatre going public can be divided into two categories – those who know nothing about Terry Pratchett’s 34 books, and those who are converts. Carpe Jugulum
Reviewer:
Brian Godfrey
Newspaper:
Adelaide Theatre Guide
Date of Review:
19 Jul 2008 CARPE JUGULUM Review by Brian Godfrey Stephen Briggs’s stage adaptations of Terry Pratchett’s ‘Discworld’ novels appeal (as the books do) to a specific audience. The plays tend to be over-long and complicated. “Carpe Jugulum” seems to overcome this. Wyrd Sisters
Reviewer:
Stephen Davenport
Newspaper:
Australian Stage On-line
Date of Review:
19 Jun 2011 Wyrd Sisters Review - Australian Stage On-line Left – Pamela Munt, Kahlia Tutty and Therese Hornby. Cover – Hugh O'Connor and Paul Messenger. Photos – Michael Errey Wyrd Sisters is a play of great empathy, idiosyncrasy and rib-tickling fun. What makes it exhilarating is the way Terry Pratchett’s imaginings boldly defy convention by holding a mirror up to life. That's why everything is approximately the wrong way around. Wyrd Sisters
Reviewer:
Steven Horne
Newspaper:
Indaily
Date of Review:
17 Jun 2011 FRIDAY, 17 JUNE 2011 TERRY Pratchett’s Discworld is a strange place indeed. So strange that at times it resembles a slightly distorted version of our own world. |
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